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Selected Exhibitions |
| Current | Corpi reali, corpi immaginati, Campo Visivo, curated by Daria Scolammachia, Centro della Fotografia, Rome, Italy until 29/06/2026 |
X-Ray, Volklinger Hutte, Volklingen, Germany, until 06/09/2026 |
| 2026 | Folia, curated by Selen Ansen & Eda Berkmen, Abdulmecid Efendi Mansion, Istanbul, Turkey |
I need more time, curated by Oguz Karakutuk, Arter, Istanbul, Turkey |
| 2025 | Dis/Oriented Body, curated by Melis Golar, Martch Art Project, Istanbul, Turkey |
ANA, (solo), Ka - Görsel Kültür ve Sanatsal Düşünce İçin Mekân, Ankara, Turkey |
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ADA, (solo), Çatı Açık Sanat Alanı, Izmir, Turkey |
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As Thin As A Promise, curated by Galeri Nev, Merdiven Art Space, Istanbul, Turkey |
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Mozinarts, Mozinor, Montreuil, France |
| 2024 | Complexe Sportif (en)jeu de courbes et courbatures, Domaine de Chamarande, curated by Karolina Kazmierska, Olympiades Culturelles, Chamarande, France |
Psychic Topographies, curated by Sini Rinne-Kanto & Andrew Hodgson, Profil Paris, France |
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Kendinin AVCISI, Versus Art Project, curated by Oguz Karakutuk, Istanbul, Turkey |
| 2023 | Room Service, Photo Saint-Germain, Hôtel La Louisiane, Paris, France |
Corpus Machina, Le Consulat, Paris, France |
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Perasma, (solo) MISC Athens, Greece |
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There is no lonesome wave, Poush, Aubervilliers, France |
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Spiritual Urgency, Stedelijk Museum Schiedam, The Netherlands |
| 2022 | Styx, (solo) PHOXXI, Deichtorhallen, Hamburg, Germany |
Two Sisters, curated by Roman Road for Working Projects, London UK |
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Come Alive, Het Nieuwe Muntgebouw, Utrecht, The Netherlands |
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Peckham 24 - with Ncontemporary, Copeland Park, London, UK |
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Damned if I Do, curated by Arianne Hughes, Gallery 46, London, UK |
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RAW, Rembrandthuis, Amsterdam, The Netherlands |
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Sorsi Di Sale, (solo) Ncontemporary, Milan, Italy |
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Nude, Fotografiska New-York, USA |
| 2021 | Group Show, Akio Nagasawa Gallery, Aoyama, Tokyo, Japan |
Styx, (solo) co-comissioned by Photoworks UK & Ballarat International Foto Biennale, National Centre For Photography, Ballarat, Australia |
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Nude, Fotografiska Stockholm, Sweden |
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A ppr o che, Le Molière, Paris |
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Receptacles ~ VESSELS II, curated by Alix Janta-Polczynski, Alkinois, Athens, Greece |
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Unbound, Unseen Amsterdam, curated by Marcel Feil, Amsterdam, The Netherlands |
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Underpinned by the Movements of Freighters, curated by Joe Moss, Florence Trust, London, UK |
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Maybe in May, curated by Elisabetta Mero & Valentina Rignano, Basilica di San Celso, Milan, Italy |
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Postures & Posers: Yushi Li & Alix Marie, curated by Brenna Horrox, Filet Space, London, UK |
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NFZ #3, curated by Roberta Pagani, opening 13/01/2021, NContemporary, Milan, Italy |
| 2020 | Photoworks festival - Propositions for Alternative Narratives, Brighton, UK |
Athens Photo Festival, Benaki Museum, Athens, Greece |
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TIFF Festival, curated by Paulina Galenciak, Wroclaw, Poland |
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Fight or Flight ?, The Bakery, London, UK |
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VESSELS ~ on body fluids ~, curated by Alix Janta-Polczynski, Island, Brussels, Belgium |
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Blow Up, Laure Genillard Gallery, London, UK |
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Corpo_reality, Kunstraum D21, Lepizig, Germany |
| 2019 | Sucer La Nuit (solo), Musée Des Beaux Arts Le Locle, Switzerland |
Counter Acts, Lethaby Gallery, London, UK |
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Peer to Peer, SCOP, Shanghai, China |
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Peer to Peer, Look Biennale, Open Eye Gallery, Liverpool, UK |
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Textus Ex Machina, AQB Project Space, curated by Peter Bencze, Budapest, Hungary |
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We Sing the Body Electric, Gallery 46, curated by Camilla Cole, London, UK |
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SHREDDED (solo), Roman Road, London, UK |
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STRETCH, Athens Photo Festival, Benaki Pireos, Greece |
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BodyFiction(s), European Month Of Photography: Arendt & Le Cercle Cité, Luxembourg |
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Apparatus, Peckham 24 & curated by Augustine Carr, SafeHouse 1, London, UK |
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BodyFiction(s), European Month Of Photography, FotoWien, Vienna, Austria |
| 2018 | G(H)OST, group show curated by Mint Works, Guest Projects, London, UK |
Body. Time. Context, Presence Festival, Fotodepartament, Saint-Petersburg, Russia |
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Rhapsodies, group show curated by Alix Janta-Polczynski, Brussels, Belgium |
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La Femme Fontaine, (solo), Roman Road, London, UK |
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Natur Blick, curated by Augustine Carr and Paula Zambrano, Koppel Project Hive, London, UK |
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Prix du Livre d'Auteur, shortlist, Les Rencontres d'Arles, Arles, France |
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FOAM New Talent 2017, Red Hooks Labs, NYC, USA |
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ADYTA, (Solo), Photo Weekend 2018, Ratinger Tor, Dusseldorf, Germany |
| 2017 | I used to be funny but now I'm dead, CAN Christina Androulidaki Gallery, Athens, Greece |
FOAM New Talent 2017, FOAM museum, Amsterdam, The Netherlands |
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Skinscapes, Curated by Tatiana Cheneviere and Giulia Vandelli, Unit 1 Gallery, London, UK |
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The body is victory and defeat of dreams, K-Gold Temporary Gallery, Levsos, Greece |
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MDAM - Mia Dudek & Alix Marie, Roman Road Gallery, London, UK |
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La Femme Fontaine, (Solo), Materia Gallery, Rome, Italy |
| 2016 | Emerged, Joanna Bryant Projects, Clerkenwell Gallery, London, UK |
Identify your limitations, aknowledge the periphery. VITRINE gallery, London, UK |
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Ichor, Danielle Arnaud Gallery, London, UK |
| 2015 | Tara Has No Rooms Inside, curated by Rosanna Puyol, London |
Days Of the Nones, A---Z projects, curated by Anne Duffau, London 2014 |
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Peaches and Cream IV, Dreamspace gallery, London, UK |
| 2014 | Show RCA, Royal College Of Art, London, UK |
Venez Fruits Presses, curated by Rosanna Puyol, La Manutention, Paris |
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Bab Dar, Mint Collective in partnership with Marrakesh Biennale, Marrakesh, Morocco |
Education |
| 2012 – 2014 | MA Fine Art Photography, Distinction, Royal College Of Art, London |
| 2008 – 2011 | First Class Honours Bachelor of Fine Art, Central Saint Martins College, London |
Awards & Residencies |
| 2021 | Ducato Prize, selected, Italy |
| 2019 | Vic Odden Award, Royal Photographic Society, UK |
European Month Of Photography Arendt Award, nominated |
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| 2018 | Paul Huf Award, nominated |
Jerwood Photoworks Awards, shortlist |
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Prix du Livre d'Auteur, shortlist, Les Rencontres d'Arles |
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| 2017 | Anamorphosis Prize, shortlist |
FOAM New Talent |
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Images Vevey Book Award, shortlist |
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Fotobook Festival Kassel Dummy Award, shortlist |
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Mack First Book Award, shortlist |
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Fresh Winds In Gardur, Residency and Biennale Iceland |
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Portfolio Review Award Winner, Dusseldorf Photo Weekend |
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BARTUR Photobook Award, runner up, The Photographers' Gallery, in partnership with Amnon and Armon Bar-Tur and Bemojake publishing |
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| 2014 | Peaches and Cream IV Competition Graduate Winner, Millenium Images, London |
Speed Residencies, Victoria and Albert Museum, London |
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Cockenzie House Residency, Black Cube Collective, Scotland |
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| 2013 | Mint Residency in partnership with the Marrakesh Biennale, Marrakesh |
David Villiers Travel Award |
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Ceangal Residency, Natural Heritage Scotland, Scotland |
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| 2012 | Guest Room Maribor Residency, Maribor European Cultural Capital 2012, Slovenia |
| 2012 | Fresh Winds In Gardur Residency and Festival, Iceland |
Books |
STYX, monography / artist book, MISC, 2023 (Greece) |
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BLEU, monography / artist book, 44 pages color, Morel Books, 2017 (UK) |
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Photography Now: Fifty Pioneers Defining Photography for the Twenty-First Century, Charlotte Jansen, published by TATE & Octopus Publishing Group, 2021 (UK) |
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BODY, Nathalie Herschdorfer, published by Thames & Hudson, 2019 (UK) |
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Tate: The Photography Ideas Book, Lorna Yabsley, published by Ilex Press, 2019 (UK) |
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Central Saint Martins Foundation: Key lessons in art and design, Tim Meara & Lucy Alexander, published by Ilex Press, 2019 (UK) |
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BodyFiction, published by EMOP asbl, 2019 (Austria) |
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Unique: Making Photographs in the Age of Ubiquity, Katherine Oktober Matthews, published by House Of Oktober, 2018 (The Netherlands) |
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MDAM, joint publication with Mia Dudek, published by The Plantation Journal, 2017 (UK) |
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Science and Fiction, RCA photography collective book, published by Black Dog Publishing, 2014 (UK) |
30 years of Photoworks, Photoworks Annual, 2025, UK |
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Metropolism Mag, Issue 3 2022 Jun/July, Interview by Nadeche Remst, 2022 (The Netherlands) |
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Artpress, Issue 493 - November 2021, Introducing Alix Marie by Etienne Hatt, 2021 (France) |
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French Fries Magazine, Issue #4 "Hotel California" - Interview |
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Creative Review, Photo Annual 2019, A Year In Photos, article by Diane Smyth (UK) |
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Vogue Italia, n. 826, June 2019, Nessuno E Imperfetto (Italy) |
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Orlando, Body Issue, published by Philomena Epps, 2019 (UK) |
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The Steidz, Issue 4, 2018 (France) |
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Hunger V, published by VOID, 2018 (Greece) |
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Ladybeard Magazine, The Beauty Issue, 2018 (UK) |
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Vault Art Magazine, New Female Photographers by Daniel Boekter Sminth, 2018 (Australia) |
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Autre Magazine, Spring 2018 Issue, interview by Adam Lehrer (USA) |
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Chinese Photography Magazine, May 2018, From Abroad section (China) |
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IMA Magazine, vol. 23, Spring 2018, Spotlights: Up-and-coming Artists (Japan) |
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Source Photographic Review, Issue 92, Book review of BLEU (UK) |
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Libération, article: "La photographie, un univers en perpétuelle expansion" par Clémentine Mercier, 9/11/2017 (France) |
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UNSEEN Magazine, Issue 4, Autumn 2017 (The Netherlands) |
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FOAM magazine, Issue FOAM Talent september 2017 (The Netherlands) |
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TjejLand, The Photographer 3, 2017 (Sweden) |
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Overground Magazine, Beyond Boundaries Issue, article by Achille Filipponi, 2017 (Italy) |
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OAZARTS #10, juin 2017 (France) |
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GUP magazine, Issue 50 "Hidden Gems", 2016 (The Netherlands) |
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SALT. magazine, "Noli Me Tangere" Issue, 2015 (UK) |
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Photoworld magazine, article by Lucy Soutter, 2015 (China) |
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Feast, edited and published by Laura Mansfield, 2014 (UK) |
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Source Photographic Magazine, Issue 79, Summer 2014 (UK) |
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Pipeline Magazine, Issue 43, July/August 2014 (Hong Kong) |
Online |
La Photographie, un univers en perpétuelle expansion par Clémentine Mercier, Libération |
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The British Journal Of Photography, article by Hannah Abel-Hirsch |
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Unseen Platform, Shredded |
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This is Tomorrow, review of La Femme Fontaine by Kaitlyn Kane (UK) |
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This is Tomorrow, review of Natur Blick by Olivia Aherne (UK) |
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Libération Next, Les 10 livres photo de l'année 2017 par Clémentine Mercier (France) |
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Self Publish Be Happy (SPBH) Journal, 10 questions (UK) |
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Interview by Annita Apostolaki, Liberal, Artnews, 17/11/2017 (Greece) |
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Interview, ArtWort Magazine, 2017 (Italy) |
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Feature Shoot, article entitled The Mutated Body |
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GUP - Guide to Unique Photography, Portfolio |
Radio & TV |
Robert Elms, BBC Radio London, 27.11.2019, UK |
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La Puce à L'oreille, Femmes invisibles dans l'art, 14.11.2019, RTS, Switzerland |